Archery II
was still a thing, then. To have timed your arrow perfectly meant watching the air for a moment seem stitched throughout with a kind of timelessness. To have straddled at last, correctly, the storm of falling in love (and staying there) meant the smell of apples, victory, tangerines, and smoke all mixed together on the breath of a stranger, half asleep still, just beginning to remember a bit, as he stirs beside you. I dreamed we were young again, he’s mumbling, as if to someone whose name he’s known long enough to have called it out more than once in anger and sex and fear equally. Somewhere happiness too, right? All those hours spent trying to outstare the distance of what the days must come to, and pretending a choice to it: now the shadow-script that willows and hazel trees mark the barn’s western face with; now the wind-rippled field, like a lesser version—tamer, tameable—of the sea, for movement (same infinite pattern, and variation; randomness and intention; release; restraint—that kind of movement) …                                                                        Dear saddle of gentleness. Dear moss, sweet moss that only the dark and wet and patience make possible. To sing a song of  water, and not drown in it. And some calling that a good trick. And some calling it mastery. That last flickering before nightfall. From beneath the low branches. I dreamed we were new again. Stars. Just a little past dusk.
2020-07-17 07:35:40
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وردةٌ قبِيحة
و مَا الّذي يجعلُ مصطلحُ الوردة قبِيحة؟ -مَا الّذي تنتظرهُ من وردةٍ واجهت ريَاح عاتية ؛ وتُربة قَاحلة و بتلَاتٍ منهَا قَد ترَاخت أرضًا ، مَا الّذي ستصبحهُ برأيك؟
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